TIME:
Marvells conception of time is ever changing in To His modest Mistress, but this is only to be excepted in a poem that seeks to convince by constructing an ideal and proceeding to pose its utopian nature. In the world of would and should that we are immersed in onwards the pivotial BUT in the second stanza, Marvell presents an idyllc view of lovers engaged in a slow wlatz that stretches on for centuries.
We find Marvell now occupying the office of a prahmatist. He has become on who is aware of his mortality and of the advance of time. Time now becomes an opp matchlessnt to be feared, an enemy who is closing down on us, and the eternity that he in the beginning facilated and requisite offerin to his mistress now becomes a vast desert. It is juiceless that to understand desert of vast eternity we call on that very conception of the mo nononous which we have failed to apply where it would be most apt. it would seem that a lover, would tire of spending twain hundred years to adore each breast. The same would be expected of a woman subjected to such unending praise, a love song that keeps repeating itself will soon vesture out both singer and listener. Yet we do non stop to reflect on this alternate view sequence reading the first stanza.
Rather, we are not permitted to reflect on this aspect since the poem keeps us hering us along , presenting one image after another in mind-numbing succession. Though Marvell is patently describing something that is drawn out in time , for the reader it crop at a pace that does not allow for reflection. As one fantastic claim follows another , we can not stop to think where they are leadng to .
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