Canal Bank Walk
This poem was published in 1958, the collection was cal direct tell apart Dancing with Kitty Stobling. Kavanaghs convalescence throughout the summer of 1955 led him to an appreciation of Dublins Grand Canal. His escape from lung cancer was a drainage basin in his life, the sense of wonderment and awe wished for in orgasm is evident in this sonnet.
Kavanagh begins with a neologism Leafy-with-Love suggesting that the growth of plants and grasses on the banks of the Grand Canal, have been nurtured by Gods love. The adjective, green, suggests that the pee of the canal is the water of life, it is then given a sacramental significance as Kavanagh portrays it as baptismal water - Pouring redemption for me. The poet has prostrated himself to begin with God - That I do the will of God, wallow in the habitual, the benal. Kavanagh no longer wants to apply adult logic to his life, the prevalent and the ordinary will now, for him, reflect the glory of God. In the countenance quatrain, Kavanagh uses three images of everyday life by the canal bank, barely portrays them as representations of Gods record, The bright stick trapped, the breeze adding a triplet party to the couple kissing on an old seat, and a bird gathering materials for the nest for the Word.
The Word represents the word of God and is equivalent to the phrase Grow with nature once again as before I grew. He begins the sestet of the poem, with an apostrophe to the domain of a function of nature O unworn world enrapture me. Kavanagh wishes to immerse himself in the world of nature, he adopts a reverential tone and expresses his apparitional beliefs in a pantheistic fashion. He uses clothing vision to draw an analogy between the canal and he himself, he began...
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