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Sunday, April 7, 2013

The Editing and Film Style Of Hitchcock

demand Art

A Brief abridgment:

The Editing and Film expression of Hitchcock

Content

Part1

Introduction

1. Introduction of Hitchcock

2. The Main editing and Film Style of Hitchcock

Part2

Evidence

1. Rear Window------POV of Peep

2. Rope------Long piss of Creating the Effect of Spying the Real Scene

3. North by Northwest-------Montage of Spatial Relation Creates Excitement

4. Psycho------Consecutive Montage & vitamin A; Crossing Montage

Part3

Conclusion

Part4

Reference

Introduction

1. Introduction of Hitchcock

[1]Sir Alfred Joseph Hitchcock, KBE (13 August 1899 - 29 April 1980)[1] was a British filmmaker and producer who pioneered many techniques in the suspense and psychological thriller genres. aft(prenominal) a successful career in his native United Kingdom in both
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org/wiki/Silent_film>silent films and early talkies, Hitchcock locomote to Hollywood. In 1956 he became an Ameri shtup citizen season retaining his British citizenship. ( http://en.wikipedia.org/wiki/Alfred_Hitchcock)

2. The Main Editing and Film Style of Hitchcock

Suspense is always the subject of Hitchcocks film. I say that there are two features of his editing style to reach suspense which are using POV shots and montage of spatial or temporal relation. According to Hitchcocks thoughts, the audience should not only bring in the movie, but also take part in the plot. Because if they can be a part of the film, then they result naturally fall into the trap which the handler have made firstly. Hitchcock applies his unique editing style to control the information that the audience will receive from the film. Sometimes the audience only eff what the reference point have known in order to make they label what will happen next. However, sometimes the audience can know something which the character can not know so that the director has created tension virtually. As a result, the films...

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