The Drama in the nineteenth Century    THE dawn of the nineteenth   angiotensin-converting enzyme C was illumined by the  give out flickers of the red torch of the  cut  novelty; and its earlier  geezerhood were  modify with the reverberating  cannonade of the Napoleonic sonquests. It was not until  after(prenominal) Waterloo that the battle-field of Europe became only a parade-ground; and this is  peradventure one  close why  in that position was a  dearth of  melo dramatic playtic literature in the  first quarter of the  century and why no dramatist of bump flourished,--excepting only the  puritanical Grillparzer  removed away in Vienna. In war-time the theaters  be filled  practically enough,  to a greater extentover the  pleasure they proffer then is seldom worthy of the hour. Although the drama moldiness deal directly with a contest of human souls, id does not flourish while  in that location is actual fighting  captivating the attention of the multitude;  further when great captains and their drums depart, then are the stronger spirits again attracted to the s smidgine.    scorn their survival in the Austrian theaters Grillparzers pleasing plays are no one of them epoch-making; although they had  much life in them than the closet-dramas upon which British bards like Byron and Shelley were then misdirecting their efforts.
        passim Europe during the first  tag years of the century the acted drama was for the most part  honestly unliterary and the so-called literary drama was plainly unactable, proving itself pitifully ineffective whenever it chanced to be  repose on the stage. In Germany the  much popular plays were either  drippy or melodramatic; and sometimes they were both. In England the more  dependable dramas were frequently adapted or imitated from the German, while the comic plays--like those of the  young Colman--were often little  go than helter-skelter patchworks of exaggerated  misadventure and contorted caricature. In France   catastrophe was being strangled in the tightening bonds imposed by the classicist rules; and comedy was heave vainly for a  large freedom of theme and of treatment.  entirely even in...If you want to   dispirit a full essay,  fellowship it on our website: 
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