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Movie Proposal: The backstop in the rye whiskey Vina Ku Iverson/Racey Per. 7, 8 To the producer:          The backstop in the Rye, a contemporary knowing by J.D. Salinger, is a thought-provoking, fascinating look at participations values and issues in the 1950s. This throw would coiffure an tenuous change to charge because it is respectable of both action and implication. It focuses on a iv-day period of time in the life of a sixteen-year-old fault set outer with emotional problems. The apply follows Holden Caulfield as he struggles with others and himself to find his bearing by dint of the phoniness and disillusionment involved in his childish life. These struggles fundamentally demand up the impudent, occurring during a long flashback of the four days as he relates them to a analyst. It would make a vivid photograph because it is write with so much detail, so more pictures that would be beautifully uttered through optical represent ation. non only that, still the novel possesses substance, providing a native visual modality of the superficiality of modern life, which is represented by the human race Salinger creates somewhat Holden. Summary: The word picture would be named after the novel it is ground on, and would attempt to follow the select storyline. Pencey Prep, the private school that Holden go to would not conk out to be in Pennsylvania, provided someplace resembling the atomic number 18a. Most of the city casualtys would genuinely be enter in juvenile York City. Of course, certain(a) streets would make up to be hotshotd reveal, and the costuming and cars, and so forth, would behave to resemble1950s New York in order to fit the time period.         The video would be narrated by Holden, who would stop talking at propagation to get out focus on the flashbacks taking place in what would because mootm alike(p) present tense. Much of the thread does not need t o be put into dialogue because Holden sp ove! rthrows a enceinte deal of time in his descriptions of what is going on barely most him. This aspect of the book would have to be carried out carefully and precisely by actors with the just kind of natural talent (see Characters/Acting) in order to make the ikon successful in capturing Salingers exact tones and concepts. Note: the main objective of the movie is to present The Catcher in the Rye in visual format. This means to follow as closely as dirigible to the original plot, dialogue, stage settings, etc. as written in the book unless truly im viable. The movie should reflect the intentions of J.D. Salinger and also hold the themes expressed in the novel (i.e., hypocrisies and phonies in everyday life, the inquisition for a place to belong, isolation and wearing masks). If possible, the author should be contacted for opinions and rebuke throughout the filming of the movie. The dumbfoundning of the movie could or could not be modified from the jump of the book; ei ther direction would still appropriately capture the atmosphere of the analyst and Holden. bingle way to begin is by genuinely present Holden untruth in a psychoanalysts office, where he begins his narration. The television tv camera would then fade into Pencey Prep, with Holden stand up atop Thomsen Hill. Another improvement could just be to begin directly with the scene on the hill, with Holden voicing over the picture. Of course, not every scene could have narration. differentwise the movie would be un real. whatsoever of the thoughts that run through Holdens head would have to become dialogue, for example, Holden would mumble false under his breath part talking to certain fibres. Locations: either of the scenes occurring at Pencey would be enter at another preparedness school resembling the descriptions given by Holden throughout the book. (...Way the hell up on top of Thomsen Hill, right next to this crazy carom that was in the Revolutionary War...You could see the whole [football] field from there...-The Catcher! in the Rye, p.2) One of the more grotesque scenes would be the self-destruction of James Castle. This is a tiny scene because Holden tells the reader round it after the incident in Mr.Antolinis apartment, depicting Holdens sudden un giveingness to referee him. It shadow be filmed considerably using stuntmen and engine room to recreate the jump from the windowpane and the death. The moment Mr.Antolini approaches the frame subsequently should be caught on camera to emphasize his reference point. The scenes in Mr.Antolinis apartment, along with the scenes in the hotel direction with the sporting lady and the exclude in the other hotels, should be snap fastener in the appropriate hotels in New York City. A seedy, jade hotel in a bad neighborhood named something like E-Z sleep Hotel would be appropriate as a substitute for the Edmont Hotel. This is where Holden stayed and had the prostitute incident in, along with the experiences at the bar downstairs. A nice, upscale ho tel like the Ritz would be appropriate for the Biltmore Hotel, and the meeting place for Holden and tornado Hayes. Other settings might need a fake set because determination actual places resembling the time period would be inviolable to do, simply should be do if at all possible to make the movie as good as it can be. Some locations would be the theater Holden and Sally go to, the Caulfields apartment, etc. authoritative settings that are preexisting in New York city, such(prenominal) as radio City Music Hall, the museums, Grand aboriginal Station and fundamental Park should be utilise as they are, unless modifications would be essential to make the areas look like they did in the 1950s. The rest home, whether used in both the beginning and end or just in the end, would be in an tolerant location, but patently somewhere in California. The room Holden is in with the psychoanalyst would be sunny, but not too bright, and the psychoanalyst would never genuinely be seen. all(a) that is visible is Holden, delusion on a cou! ch, talking. The majority of the book takes place in New York City, as before mentioned. The city must be filmed carefully, because it is not only a backdrop for the book, but has an essential purpose. The unidentified people of the city that Holden observes throughout the book are actually symbolic for the citys character itself.

Holden sees and has contact with conglomerate unnamed characters throughout the city, like the crotchety cab drivers, and the slight boy humming Burns straining that Holden misheard, If a body catch a body feeler through the rye. These people all represent the distinguishable aspects of the Ci ty, and of urbanization during the beginning of the Atomic Age. Characters/Acting:         Because of the numerous characters Holden encounters, not every single character mentioned will be actually played by an actor, or even seen in the film, but the majority will be. Most of the small roles are rattling however, such as the characters mentioned above. All of the shortly mentioned characters are dictated into Holdens world for a reason, so they must be portrayed. The small characters give insight to Holdens record, as well as the personality of the character played by the urban world. Such interactions amid them, like the one between Horowitz, the sulfur cab driver, and Holden, about the ducks in Central Park are used as insight to Holdens personality. Holden asks the cabby about something that would seem subaltern to others, and the cabby responds in a dramatic, untamed manner, almost comedic, and stereotypical of urban dwellers (Whos ignoring it? Nobodys ignoring it!-p.82). The personality displayed by Horo! witz is another indication that the novel is not only about Holden and his adventures, but also of the world he lives in.         Characters must be played by actors with a certain similarity to the character itself, whether it is by their physical appearance, the way they declaim or otherwise. Holden is a 16 year-old boy, and so he should be played by a boy who looks no honest-to-goodness than that. The boy should be rather thin, but with muscles, and have a face with character. Holden is to be played with intensity, anger, sadness, but also have a sweet nature, all of which he displays throughout the novel, whether obviously or inconspicuously. The novel accurately describes most of the other characters, because of Holdens observant nature. All details given by Holden should be carried out accordingly.         The movie would be best directed by Stephen Spielberg, because of his ability to reserve movies rightful(a) to nature, and still produce a compelling story. This would be an excellent project for him because the objective of the film is to do incisively what Spielberg did with movies such as Schindlers discover and Saving mystic Ryan: to take a story, fiction or non-, and portray it as a emotionally moving picture, while keeping it true to the original vision.         The movie spin-off of The Catcher in the Rye should accurately represent the novel written by J.D. Salinger. The work out for the film should be whatever is deemed necessary by the coach to make the movie as realistic and well done as possible. The budget should not be a good will because it would hinder the quality of the film and thusly not free it to live up to the wonderful the novel could have as a film. If carried out well, this film would be a capacious success. If you want to get a full essay, order it on our website: OrderCustomPaper.com

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