Abstract
This paper will provide a broad compend of the movie go down, and yet a specific
picture of visual tale techniques and audio techniques. The categories contributing to the nucleus and major movie components atomic number 18 theatrical elements, cinematography, editing, and sound. The Academy Award winning movie Crash is a story about societys controversial subjects projected in an in your face depiction of lives that in some mien or another, cross.
Depth Analysis of the Movie Crash
The over-all theme of the take up is racism, which is dealt with honestly, brutally, and without justification. This 2006 release from Emmy award-winning writer/producer
Paul Haggis is focused around dickens unsettling car accidents, a disturbing carjacking, vicious unprovoked study vandalism, and the suspicious killing of one police officer by another. The R rated, post 911 drama and action movie is ordered against the backdrop of a racist Los Angeles justice system and Los Angles patrol Department (Haggis, 2005).
The storyline begins in medias res with the event of the title, a front to rear crash
on Mulholland Drive. The movie then starts over, backtracking 48 hours explaining how
everyone arrived at that crash site. According to Jean-Luc Goddard, A story should
have a beginning, middle, and an end...but not necessarily in that order.
Several life stories intertwine in the hobby 36 hours involving a collection of
seemingly random characters consisting of; a dour police detective with a drug rehabbed mother and a thieving younger brother, two car thieves who are invariably theorizing on society and race comparisons, the distracted district attorney and his angry, society wife, a racist veteran cop sympathize with for a sick stick at home and his young, soaring patrol partner, a successful black Hollywood film director and his wife who must deal with the racist cop, a Persian-immigrant father who thinks everyone...
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