Friday the 13th part 2 in realtion to vera dika's slasher theory

Shane Gladstone                                                               Film Criticism

Component Two

Question

Is Friday the 13th Part 2 normal of the slasher movie formula as laid appear by Vera Dika?

Introduction

After having read Vera Dikas text Games of Terror (Dika, 1990) and watched the film in caput Friday the 13th Part 2 (Steve Miner, US 1980) it was clear to me from the outset that in that respect are parallels to be drawn between the two. Throughout this raise it is my intention to re-evaluate Dikas theories in relation to the chosen text and roll in the hay to my own natural conclusions as to whether it qualifies as a upstanding example of the stalker genre or not. I leave alone do this initially by re-reading the text and picking out the sections of it that relate the strongest to scenes in the film, once these have been chosen I will then concentrate on these scenes and texts in peculiar(a) as examples of my methodology. I have done this by focal power point on the typical stalker clichés presented to the viewer in the opening scene and the general use of space and ambit throughout the narrative.

The discussion of the typical stalker scene, setting, characterisation and temporary hookup structure.

Friday the 13th Part 2 (Steve Miner, US 1981) opens with a lurking point of view shot of the killer (Jason Voorhees) watching the child of Alice (Adrienne King, heroine of the certain movie Friday the 13th (Sean S Cunningham, US 1980) walk root word alone in the rain while singing to himself a childrens song. This song (singin in the rain) signifies happiness and innocence, as a recurrence reaction to the song the soundtrack music playing in the desktop is dark, atmospheric and chilling. The setting in which they are located is suburban and typically American however...

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